The lady and the unicorn book
The Lady and the Unicorn by Tracy Chevalier: | dobraemerytura.org: BooksKeen to demonstrate his new-found favour with the King, rising nobleman Jean le Viste commissions six tapestries to adorn the walls of his chateau. He expects soldiers and bloody battlefields. But artist Nicolas des Innocents instead designs a seductive world of women, unicorns and flowers, using as his muses Le Viste's wife Genevieve and ripe young daughter Claude. In Belgium, as his designs spring to life under the weavers' fingers, Nicolas is inspired once more - by the master weaver's daughter Alienor and her mother Christine. They too will be captured by his threads. On the erotic front, she positively explodes, the shy smiles of Pearl Earring replaced by a terrific torrent of carnal imagery, every sense invoked and appetite exploited' Guardian. A romantic, beautiful book' Booklist.
ASMR - The Lady And The Unicorn (Medieval Tapestries)
The Lady and the Unicorn
Five of the tapestries are commonly interpreted as depicting the five senses — taste, hearing, sight, smell, and touch. The tapestry's meaning is obscure, but has been interpreted as representing love or understanding. Each of the six tapestries depicts a noble lady with the unicorn on her left and a lion on her right; some include a monkey in the scene. The tapestries are created in the style of mille-fleurs meaning: "thousand flowers". In the novelist George Sand saw them and brought public attention to the tapestries in her works at the time most notably in her novel Jeanne , in which she correctly dated them to the end of the fifteenth century, using the ladies' costumes for reference. Careful conservation has restored them nearly to their former glory.
Jan 01, Minutes Buy. Dec 28, ISBN Jan 01, Minutes. They appear to portray the seduction of a unicorn, but the story behind their making is unknown—until now. Paris,
In lateth century Paris, a parvenu nobleman commissions a set of tapestries to impress the smirking snobs at court. Jean le Viste rather fancies a blood-stained Battle of Nancy, with his newly acquired coat of arms plastered downright mendaciously across the shields and standards of the victors. That suits the tapestries' designer - Nicholas des Innocents, talented artist and handsome slut - down to the ground. He also loves the ladies, and in the myth of the unicorn he sees not white untainted innocence but the chase and the embrace by lascivious virgins of its rampant horn. But it is not just Nicholas's reckless dreams that stitch themselves among the warp and weft. Cartoonists, weavers, dyers, financiers, even those who trim the hem, all add a dash of their own desires to the mix. Thus when the set of tapestries is unrolled there shimmers beneath its brilliant surface another shadowy net of threads, weaving together the loves and longings of all involved.
Chevalier, whose bestselling Girl with a Pearl Earring showed how a picture can inspire thousands of words, yokes her limpid, quietly enthralling storytelling to the six Lady and the Unicorn tapestries that hang in the Museum of the Middle Ages in Paris. As with her Vermeer novel, she takes full creative advantage of the mystery that shrouds an extraordinary collaborative work of art.
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