Her body and other parties book
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Fans of small screen book adaptations and all things horror, rejoice: Carmen Maria Machado's short stories are coming to a TV near you. Machado's debut collection, which was a National Book Award finalist, blurs the lines between psychological realism and science fiction — with generous helpings of horror, fantasy, and even comedy throughout. The collection includes a story about wife who refuses her husband's entreaties to remove the green ribbon from around her neck a retelling of a classic story that's been told by Washington Irving and Alvin Schwartz. There's another story in which a salesclerk in a mall makes a horrifying discovery within the seams of the store's prom dresses. News of Machado's adaptation is just the latest in a string of books written by women that have had small-screen treatments announced in
Start by marking “Her Body and Other Parties” as Want to Read: In Her Body and Other Parties, Carmen Maria Machado blithely demolishes the arbitrary borders between psychological realism and science fiction, comedy and horror, fantasy and fabulism. Carmen Maria Machado's Her Body.
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Carmen Maria Machado reads from Her Body and Other Parties at Bard College, 02.19.18
It was filled with strange stories about women and their bodies and minds that gave us plenty to discuss. No list of strange short stories can be complete without a mention of Kelly Link. Machado herself is a fan as well, so the comparison is certainly warranted. Magic for Beginners is a collection from and is filled with zombies, strange bunnies and sinister resemblances to real life. Bored to Death book club is set up by two sisters who love to read and have nothing better to do than to start a book club.
The collection is beautifully atmospheric and weird, sometimes funny, sometimes heartbreaking—and full of knife-sharp commentary on living as a woman in the world. Forget the schlocky, sentimental ending of the Netflix series; The Haunting of Hill House is chilling, gorgeous, devastatingly real, and has an utterly fearless relationship with its genre. The only work of nonfiction on this list, and a book that, in a just world, would be assigned in every writing, literature, and art class, and handed to every single high school and college graduate. Some of it tapped into narrative pleasures I already loved: multi-generational stories, dark forces, mysterious illnesses. Some of it created new obsessions: magic, fictional islands, tragic endings. Some of it went right over my head. Samatar is best known for her secondary-world fantasy duology A Stranger in Olondria and The Winged Histories, but this collection of short stories occupies a different, more liminal space.