Ink and paint disney book
Ink & Paint by Mindy Johnson | WaterstonesSo generation after generation, they [struggle] for insights others had already before them. Setting the record straight Johnson has produced an encyclopedic, well-researched and fascinating account of women in the film industry. Although Johnson heavily tilts the narrative to emphasize the hitherto under appreciated contributions of women in the Disney studio, as well as in the personal lives of Walt and Roy Disney, there is a wealth of information on the Disney company, their beginnings and motivations, the circumstances that necessitated the creation of Mickey and Minnie Mouse, and the choices made in developing their short animations to keep the studio thriving, and later via their feature film projects. The book delves deeply into the complex relationship Walt Disney had with his staff over the nearly 40 years of company leadership, with emphasis on his many female employees, the structure of the company, its innovations, and its challenges in creating cutting-edge animation. As the father of two daughters with whom he had a caring relationship, Walt Disney sought to create a safe haven for his female employees for the sake of both ladies and the artwork.
The Lost HERstory Of Disney Animation (with "Ink & Paint" Author Mindy Johnson)
Painting A Complete Picture: “Ink & Paint: The Women of Walt Disney’s Animation”
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A First Printing Signed by the Author. Book and dustjacket in Mint condition! The result of five years of research, Mindy kept expanding this book as she discovered new material. But more than that, the book covers women working in all artistic capacities at Disney from the s to the present. Women were employed at Disney as animators, assistant animators, in-betweeners, and concept artists as far back as the s, but their stories have never been told until now.
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When I say this is a Disney history book, what I really mean is that this is a Disney history textbook. However, it also highlights other women that played key roles in any capacity at the studio. The book is full of anecdotal stories about life at the studio, not just for women but even some about men, too. There are a few charming Walt stories I had never heard before, like the one where a dog followed him into the studio coffee shop. As progressive as Walt and his studio were towards women, these were also sexist times and there are some powerful messages about the glass ceiling and the struggles these artists faced to break through. The World War II years are particularly interesting, where women were able to branch out into other areas of studio operations and were quite talented at it. You feel their heartache as the war ends, the men come back, and they are demoted back to where they started solely by virtue of their gender.