Pete seeger and the power of song book summary

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pete seeger and the power of song book summary

"To everything there is a season" : Pete Seeger and the power of song in SearchWorks catalog

Items borrowed from other libraries through Interlibrary Loan are dependent on the policies of the lending library. Pete Seeger became one of the nation's most influential activists and folk singers as the folk music revival, often revolving around protest movements, unfolded in the s. This text uses Pete Seeger's life and music as a frame of reference to discuss the important role popular music playedduring the various protest movements in the 20th century. Seeger's life reflected the turbulence of his times and his songs sounded the spirit of the issues that he felt mattered most. At only pages, this book provides instructors with a useable resource to discuss theconnection between popular music and political culture. Place a Hold You must be logged in first.
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Pete Seeger. The Power of Song (2007) by PBS American Masters (full version)

To Everything There Is a Season: Pete Seeger and the Power of Song

By Allan M. New York: Oxford University Press, ISBN Exonerated in after the U. For instance, he discusses a well-known episode of generational misunderstanding.

Not that Mr. Seeger is one to sit around and bask in approbation. Seeger does not perform as much as he used to, and his reedy tenor has lost some of its force, but he still chops wood outside his home in the Hudson Valley, protests against war and plays the banjo about as well as anyone ever has. Springsteen or Mr. But Mr. He is, for one thing, more complicated than he might seem at first, much in the way that the folk music he adores reveals hidden nuances beneath apparently simple stories and tunes. The son of an academic musicologist and a gifted violinist, he has always looked and sounded less like the product of Eastern boarding schools than like a figure out of 19th-century legend: gangly, with a deliberate manner of speaking and the zealous gleam of true belief in his eye.

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From a gangly year-old to a still-skinny nonagenarian, Pete Seeger has always been a phenomenon. For example, the book describes his important musical influences, especially Leadbelly and Woody Guthrie, both of whom are introduced to the reader and to Seeger, by folklorist Alan Lomax early in the book. They include everything from the singer at a union hall and at a school auditorium to Seeger sitting next to Henry Wallace and shaking hands with Bill Clinton.
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What sounds the times? Is it the bellowing of politicians? The roar of the crowd? The ebb and flow of everyday conversation? In three masterful novels, he sounded the times of the first thirty years of the twentieth century, evoking its angular, often frenetic tempo through words on the page. As for the rest of the tumultuous century, Pete Seeger sounded the times with his music and lyrics perhaps better than anyone.

I don't know if Pete Seeger believes in saints, but I believe he is one. He's the one in the front as they go marching in. The Weavers immediately disappeared from the playlists of most radio stations, and Seeger did not appear on television for 17 years, until the Smothers Brothers broke the boycott. But he kept singing, invented a new kind of banjo, did more for the rebirth of that instrument than anyone else, co-founded two folk-song magazines, and with Toshi, his wife of 62 years, did more and sooner than most to live a "green" lifestyle, just because it was his nature. On rural land in upstate New York, they lived for years in a log cabin he built himself, and we see him still chopping firewood and working on the land. I want to turn the clock back to when people lived in small villages and took care of each other.


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