Decolonizing nature contemporary art and the politics of ecology pdf
Decolonizing Nature | The MIT PressCambridge : MIT Press, , p. Sous la dir. Berlin : Sternberg Press, , p. Because of global warming, nature is simultaneously entering the political scene. Ironically, the urgent need to reassess our relationship to nature is surfacing at the very same time that we are losing its concept.
How do you design a city that works with nature? - Eric Sanderson - TEDxNYIT
Demos is an art historian and cultural critic who writes on contemporary art and visual culture , particularly in relation to globalization , politics , migration and ecology. Previous to his current appointment, Demos taught at University College London between Demos received his PhD in from Columbia University. This book looks at contemporary artists who have turned to documentary practice in order to investigate the mobile lives of migrants, refugees, stateless persons, and the politically dispossessed. His analysis considers the work of artists from Europe, the United States, the Middle East, and North Africa, which portrays the frequently negative conditions of neoliberal globalization, and which connects viewers to the lived experiences of economic and political crisis. It argues that these artists propose innovative ways to approach a politics of social justice and equality, and historical consciousness, even while operating in an aesthetic domain that is post-representational and deterritorialized.
Contemporary Art and the Politics of Ecology
What about Activism? Tristan Garcia, Vincent Normand Eds. Mischa Kuball: res.
The six essays included in this online supplement advance further the thematic engagement of Third Text , a special issue dedicated to contemporary art and the politics of ecology. The issue investigates the intersection of art criticism, politico-ecological theory, environmental activism and postcolonial globalization. The focus is on practices and discourses of eco-aesthetics that have emerged in recent years in geopolitical areas as diverse as the Arctic, Nigeria, Bangladesh, Indonesia, Europe and Mexico. Introduction TJ Demos. Critiquing a narrow conception of bio art, this article explores the notions of nature, of ecology and of systems in order to explore possibilities for an art history that employs an extended notion of bio-aesthetic practice. Such practices include various science fictions and oneiric scenarios that are not limited by current technological, economical or social constraints, and which may help bring the complexities and contradictions of our unnatural ecologies into focus. This piece assesses the place of the common, climate change and climate debt in the global social movements of and after.