Music the brain and ecstasy pdf

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music the brain and ecstasy pdf

Music, the Brain, and Ecstasy: How Music Captures Our Imagination by Robert Jourdain

But perhaps even more fascinating than the subject of how music works is the question of why it makes us feel the way it does. Today, we try to answer it with seven essential books that bridge music, emotion and cognition, peeling away at that tender intersection of where your brain ends and your soul begins. But some of his most compelling work has to do with the neuropscyhology of how music can transform our cognition, our behavior, and our very selves. In Musicophilia: Tales of Music and the Brain, Revised and Expanded Edition , Sacks explores the most extreme of these transformations and how simple harmonies can profoundly change lives. Why music makes us feel the way it does is on par with questions about the nature of divinity or the origin of love.
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Published 13.01.2019

The Invention of Music

Music, the brain, and ecstasy

It looks like this book is on our website merchantnavymemorialtrust. What makes a distant oboe's wail beautiful? Why do some kinds of music lift us to ecstasy, but not others? How can music make sense to an ear and brain evolved for detecting the approaching lion or tracking the unsuspecting gazelle? Lyrically interweaving discoveries from science, psychology, music theory, paleontology, and philosophy, Robert Jourdian brilliantly examines why music speaks to us in ways that words cannot, and why we form such powerful connections to it. In clear, understandable language, Jourdian expertly guides the reader through a continuum of musical experience: sound, tone, melody, harmony, rhythm, composition, performance, listening, understanding--and finally to ecstasy. Along the way, a fascinating cast of characters brings Jourdian's narrative to vivid life: "idiots savants" who absorb whole pieces on a single hearing, composers who hallucinate entire compositions, a psychic who claims to take dictation from long-dead composers, and victims of brain damage who can move only when they hear music.

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Many of us know from our own experience that music can evoke ecstasy. But it takes a rather remarkable sum of talents to account for how vibrations in the air actually do this, without leaving the lay reader behind in a cloud of phenomenological, musicological and neurophysiological dust. Jourdain, who is based in Northern California, does independent research on artificial intelligence and is a musician. He is also a splendid, imaginative writer whose prose, lucid and beautifully succinct, has all the liveliness of a Mozart allegro. In reading it, I found myself in the presence of a kindred spirit and, while delightedly reconsidering things I have often mused upon--such as the connection of music to the emotional and spiritual realm--I also found I was learning quite a lot about processes I never even knew were occurring. Thanks to the wondrous economy of evolution, our embryonic gills developed into the lower jaw, the larynx and the middle ear the latter two are the organs by which we participate physically in the world of sound. Jourdain shows how it is the brain, not the ear, that actually hears and, more importantly how the brain--through its role in perceiving the edges and boundaries of sounds as well as its capacity to categorize, model relationships, establish deep hierarchies of meaning and anticipate--that helps us listen to music and enjoy it.

What makes a distant oboe's wail beautiful? Why do some kinds of music lift us to ecstasy, but not others? How can music make sense to an ear and brain evolved for detecting the approaching lion or tracking the unsuspecting gazelle? Lyrically interweaving discoveries from science, psychology, music theory, paleontology, and philosophy, Robert Jourdian brilliantly examines. Lyrically interweaving discoveries from science, psychology, music theory, paleontology, and philosophy, Robert Jourdian brilliantly examines why music speaks to us in ways that words cannot, and why we form such powerful connections to it. Along the way, a fascinating cast of characters brings Jourdian's narrative to vivid life: "idiots savants" who absorb whole pieces on a single hearing, composers who hallucinate entire compositions, a psychic who claims to take dictation from long-dead composers, and victims of brain damage who can move only when they hear music. Goodreads helps you keep track of books you want to read.

2 COMMENTS

  1. Msprincess2011 says:

    [PDF] Music, the Brain, and Ecstasy: How Music Captures Our Imagination - Semantic Scholar

  2. Paien B. says:

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